It has been quite a quiet but eventful two years since debutante singer, Aneil, released her first single “Let Me Be” on June 25, 2015 on the WordFoodMusic label. This young singing aspirant was not bothered much when her single was released without fanfare or the “required” press and public relations pieces. In fact, this non publicity is quite typical among Do It Yourself (DYI) artistes who struggle to balance the music and the business.
However, at times, the lack of puffery and fanfare can be a blessing in disguise as it can allow the artiste to focus on the art instead of on the craft.
Accordingly, despite the lack of fanfare, “Let Me Be” quickly copped the “Big Tune” award on Roots 96.1 FM in Kingston on June 28, 2015. On September 6, Aneil did her debut concert performance at the Grace Atlanta Caribbean Jerk Festival in Georgia, USA; followed up with a September 17, live radio interview with DJ Roy on Irie Jam Radio 93.5 FM in New York. (Watch the concert and the interview by clicking the link or photo belowhttps://www.youtube.com/watch?v=NNb6OEHvu-4).
A few days later, on September 19, Aneil was guest performance at the Konekt-Dat band Showcase in Manhattan, New York and closed Summer 2015 with a live radio interview with Glen Simmonds on WRFG 89.3 FM, Atlanta, USA on October 19.
2016 saw Aneil continuing with the honing of her theatrical skills with the Aneil and Friends Concert series at Comfitanya in St. Andrew Jamaica. The series kicked of with Cameal Davis, D’Vercity and Delroy Melody on April 30, 2016 and since then other acts/friends included Abijah, Asante Amen, Chinna, Carl Dawkins Jr, Jordan Mais and the Rebelistic band, the Legend band, and more. The series continues with next show in July 2017. Aneil has also done cameo performances at Triple Century and is a pleasant staple at formal functions at the University of Technology, Jamaica.
Born Anita Neil in 1991 in St. Andrew, and nurtured in St. Ann, Aneil has developed from church choir girl (1999 – 2005), to Music band opening act (2003 – 2006, sharing stage with popular artistes such as Leroy Sibles, Richie Spice and the late Edi Fitzroy.)
Academically inclined, in 2006, Aneil took a hiatus from music and, inter alia, successfully completed her Bachelor’s of Science degree in Management Studies at the University of the West Indies and developed her skills in customer service. A lover of animals and children and armed with a gorgeous voice, potent lyrics and a sense of purpose, Aneil re-entered the music scene in 2014 and has been prodding along the milestones on her journey.
Aneil’s debut “Let Me Be” is an original song written by her and recorded at Stage One Studios, Jamaica under the guidance of Grub Cooper of Fab Five Band. Interestingly, Grub Cooper also helped in coining Aneil’s recording and stage name. The song was released in MP3 format on iTunes, Amazon and other digital stores June 25, 2017.
As DJ Roy commented on Irie Jam 93.5 FM, “I don’t claim to be the authority on music, but I have an ear for music and the first time I heard the song (Let Me Be) I said, Great Song”. (Click on the picture and listen on YouTube and agree or disagree).
Since the release of the song, Aneil has silently been building up a small loyal fan base that will prove of immense value for entering a dynamic and rigid music industry. Her second single, “This is love” is being fine-tuned for a mid-summer release. Click to listen a sneak preview”.
Aneil’s journey continues and Summer 2017 will be the one filled with love. Keep up with the journey on:
For her Winter Solstice gift, December 22, 2016, Serena Williams, the 22-time grand-slam winner announced on Reddit her intentions to wed Alexis Ohanian, the 33-year-old co-founder and executive chairman of Reddit, who is a White man.
Of course the internet began buzzing and tweeting with positive and negative sentiments. Some folks even argued whether Serena can continue representing real Black women while marrying a White man. Serena qualified all responses by noting that “when she dates someone she never sees color as she dates who she has chemistry with”. She also noted that Alexis has treated her better than any Black man she had dated and we know Serena has dated a slew of Black men including rappers Drake and Common as well as former NFL linebacker Lamar Arrington and basketball star Amare Stoudemire. Who feels it knows it. Then again, who cares?
Without defending Serena’s interracial preference, we must be cognizant of the fact that more Black men marry White women than do Black women marry White men. Truth to be told, there are great catches, oops, great prospects, in every race on earth. In Jamaica we say, ” every hoe has its stick a bush”, meaning that everything has its fit.
It does seem as if Love, beauty, care, protection and compassion are not skin or race restricted. Neither are bigotry, delinquency, ugliness and poor parent hood restricted to race, class or creed. Indeed, the only person incapable of love is either dead or severely mentally disturbed.
HOW MANY BLACKS MARRY WHITE
According to http://blackdemographics.com/households/marriage-in-black-america/ in 2014, 14% percent of Black men were married to non-Black women which is up from 11% in 2010. Only half (7%) of those non-Black women were White. Similarly, the Pew Research Center released a report finding that 25% of Black male newlyweds in 2013 married non-Black women compared to 12% of Black women who “married out”. However Asian women and Native Americans still have higher rates of interracial marriage. Black women were the least likely to marry non-Black men at only 6% in 2014, and only 4/% were married to White men.
WHY THE MYTH THAT MORE SUCCESSFUL BLACK MEN MARRY BLACK WOMEN THAN WHITE WOMEN?
It does seem as if most successful Black men are being stereo typed as prone to marrying White women based on the conspicuous behaviour of plenty rap stars, athletes and musicians choosing to date or marry interracially when they achieve fame. Fact is that the same is not true for the bulk of successful Black men. By analyzing census data, Toldson and Marks found that 83 percent of married black men who earned at least $100,000 annually got hitched to Black women. The same is the case for educated Black men of all incomes. Eighty-five percent of Black male college graduates married Black women. Generally, 88 percent of married Black men (no matter their income or educational background) have Black wives.
On a sexual note, https://www.18karatreggae.com/2016/01/29/6736/, a study from Rutgers University in New Rochelle, NJ, has concluded that approximately 87 percent of American White women have had or fantasize about having sexual relations with African American males. Interestingly enough, the same study says only 13% of white women said they would would marry and raise a family with a Black man.
CHANGING FACE OF BLACK WHITE MARRIAGES
Why are more people having favourable attitudes towards interracial marriage even if they would not do it themselves? The major contributing factors would include legality, morality and shift in attitude due to change in values and the millennial kids now maturing.
The simply reason why more Blacks date and marry Whites is because it is now legal. Indeed, we are indebted to Richard and Mildred Loving, an interracial couple who were thrown in jail in Virginia for violating the state’s rules against multicultural marriages fifty years ago. In 1967, the U.S. Supreme Court ruled miscegenation laws—or laws preventing people of different races and ethnicities from getting married—unconstitutional. (By the way Loving is their real surname..lol). Please read this better than Mills & Boon real life love story at https://en.wikipedia.org/wiki/Loving_v._Virginia.
Now, Decades later, naturally, interracial marriage is now the highest it has ever been in the United States, up 14 percent compared with what it was in 1967 when the courts ruled in favor of Richard and Mildred Loving.
More intense, Hitler and his followers will let you know that race should not mixed as some races are inferior and will water down the real “master” race. (The verdict is still out. Science has not shown racial supremacy and The Old Testament writers can’t be subpoenaed).
Attitude change to Black-White Marriage
Americans’ attitudes about interracial marriage have changed dramatically over the past 55 years, moving from the point in the late 1950s when disapproval was well over 90%, to the point today when approval is approaching 90%.
Approval of black-white marriage is higher among younger Americans especially the millennial kids (18 – 34), and lowest among those 65 and older. Yes, the millennial generation has grown up and now they are parents. Their attitudes, behaviors and perceptions are different from that of their conservative elderly parents and fore parents. Colour and race taboo have been significantly downplayed by them and even replace d by diversity, liberalism and alternative lifestyles.
However, Census data indicated that black-white marriages in reality remain fairly rare — although they have increased from 167,000 in 1980 to 558,000 in 2010, they still represented less than 1% of all married couples.
Ebony plays with Ivory.
Stevie Wonder and Paul McCartney seem to believe that it takes ebony and ivory to make music on a piano. Well, music played on a piano uses two colour keys: black and white. The white keys are more than the black keys yet music require both colours. Although a poor analogy, it is possible for some people to make music and possible find love doing inter racial.
THE CONTRIVED SUPERIORITY OF BLACKS VS WHITES
Fortunately or unfortunately, even the blind can see that since the arrival of Christopher Columbus in 1492 in the Caribbean and the Pilgrims on the Mayflower in 1620 in the USA, Whites are “superior” to Blacks in status quo and power. The church, the school and the civic organizations all reinforced this false notion in an attempt to prolong the evils of slavery. In primary school we were subtly taught ” “If you are white, it is all right and if you are brown you may stick around but if you are black you better get to the back”. Peter Tosh defiantly added “or get on the attack”.
Needless to say, apart from melanin and its accompanying nuances, Whites are the same as Blacks. They all have two eyes, ears, hands and feet. They both go to the bathroom, have sex, get kids, and are treated unfairly by narcissistic and chauvinistic males and females. Beauty abounds in all races and for proof, the World Beauty Pageant winners have not been restricted to Black and White women.
THE ENDANGERED BLACK MAN & WOMAN
Folks usually joke that the USA is such a land of opportunity that it can afford even a poor Black boy to grow up to be a rich White woman. Rudely, Micheal Jackson was used as the ideal example of this. However, many Black women in the USA and the Caribbean have also fallen victims to this “plastic” version of success and beauty. Indeed, Black women are spending millions of dollars each year to look WHITE and “enhance their beauty”. Many have processed their hair to get it straight as if they are ashamed of their so called kinky hair. Some have gone further by bleaching their skins to look white as well.
Understandably, we can be sympathetic with these black brothers and sisters who strive to be “white” and denied their charcoal skin. After all, as mentioned, for centuries Blacks have suffered the indignity of physical rape, robbing, kidnapping and killing mainly by the hands of Europeans under Slavery. They have been stripped not only of their garbs but also of their soul and mind and identity. Despite Emancipation in 1838 in the Caribbean and 1864 in the USA, the black psyche has been warped so badly that many Blacks have found it easier to look and behave like their former white slave owners than to struggle to be free mentally. There is little comfort in reminding them that the ancient Greeks also had slaves who were not Negroes but white men who had been taken captive in war.
A friend of mine sarcastically call these type of Blacks, “Oreo cookies” or “roasted breadfruit”: Dark skin on the outside but white beneath. His claim is that if a Black brother wants a Black sister, he has little choice as the sisters look like White women. He jokingly asked, “What does it benefit the black brother to choose a “black” white woman over a white woman. Is it better to have a real woman who is white than a confused woman who is black?” Quite a dilemma.
However, thanks to Marcus Garvey (1887 – 1940), his rally call for Black consciousness has not fallen on deaf ears and there are a few brothers and sisters have developed a sense of black pride that is creating a glimmer of hope.
“A large part of our attitude toward things is conditioned by opinions and emotions which we unconsciously absorb as children from our environment. In other words, it is tradition — besides inherited aptitudes and qualities — which makes us what we are. We but rarely reflect how relatively small as compared with the powerful influence of tradition is the influence of our conscious thought upon our conduct and convictions.
“It would be foolish to despise tradition. But with our growing self-consciousness and increasing intelligence we must begin to control tradition and assume a critical attitude toward it, if human relations are ever to change for the better. We must try to recognize what in our accepted tradition is damaging to our fate and dignity — and shape our lives accordingly.
“I believe that whoever tries to think things through honestly will soon recognize how unworthy and even fatal is the traditional bias against Negroes.
“What, however, can the man of good will do to combat this deeply rooted prejudice? He must have the courage to set an example by word and deed, and must watch lest his children become influenced by this racial bias”.
I am still not sure if inter racial marriage is cool especially for the children of the union who find themselves mid stream, neither black nor white. Yet, today’s society is wreaking such havoc on the institution of marriage that if a man or woman chooses to marry he or she should be commended because the current level of liberalism, alternative lifestyles and patterns of broken marriages can easily deter people from marrying.
The choice of to whom to marry should be each person’s prerogative since value and love lie in the eyes of the beholder. At the end of the day what is important is the extent to which the brotherhood of man can be pursued and attained. Of course, malicious self interest is misguided and Haile Selassie, Emperor of Ethiopia, begged us to ditch racism, class, and bigotry and get hitched with understanding, tolerance and goodwill, In short, philanthropy vs misanthropy. Bob Marley put Selassie’s words of wisdom to music and came up with the thought provoking reggae hit, “War”. Then again, who cares.
Clifton Neil is a university lecturer in marketing and a lover of history and literature. Contact – firstname.lastname@example.org. Twitter. @cliftongneil
Think how exciting it would be to have a booklet that told you all you need to know about music copyright and publishing in Jamaica, and by extension, the United States. Well if you are like us: an unknown Indie or young music label trying to be known and wanting to do things properly and “by the books.” Well, we empathize with you. You see, since January of this year 2015, just like you, WordFoodMusic want to think about copyright. Will it be our lyrics, our song and our music? Will it be a cover version? How do we protect our song from unlawful use by other people? How do we protect ourselves from unlawful use of other people’s material, how much does it cost to register copyright and how can we get royalties from our copyright material/songs?
In fact we are doing our music publication for an artiste , Aneil, who is doing her first single’ Let Me Be”. This was no easy task but we had fun prying, begging, seeking, knocking and getting the answers.
These are now simple questions to us, but earlier this year we didn’t know much and we had to painstakingly sift through the clutter and sometimes daunting task of getting information. Knowledge is power and ignorance is not bliss. What you don’t know can hurt you in the pocket and in the mind.
In fact, having no copyright can be a wrong copy and if you take notice, big companies such as SONY, Universal Music Group and EMI, have entire legal departments dealing with copyright and publishing.
Of course, Needless to say, we know that new Indies and fledgling labels like WordFoodMusic, cannot afford such departments but you do not want to go the hard route we went.
Cheer up, have created your own “How To Copy Right Music in Jamaica” in order to help you know and understand the intricate yet important business of protecting you and your musical creation. This booklet looks at the nuts and bolts of copyright. It is choc full of information on copyright definition, caveats, advantages of registration, copyright registration procedures, rights and licenses and much more. So do treasure this little guide and look out for part two on How To Publish Music in Jamaica.
For the records, copyright and publishing is not as developed in Jamaica as is in the United States and getting the nuts and bolt of it can be very challenging as stated. Nevertheless, it is encouraging to note that with the advent of the updated Copyright Act of 1993, and upcoming amendments, organizations such as Jamaica Association of Composers and Authors and Publishers (JACAP), Jamaica Music Society (JAMMS) and Jamaica Copyright Licensing Agent (JAMCOPY) are helping to regulate and cut a clear pathway in the intellectual property arena.
Basically, under the law (Jamaica and U.S.), copyright begins automatically once a piece of music is created then documented or recorded, for example, on video, tape or CD or simply written down in notation of a score sheet. WordFoodMusic CEO puts it nicely, “Once it is affix, you are in the mix. No registration is necessary to own what you create. However, proving that you own what you had made is another matter”.
Both the Jamaican Copyright Act 1988/1993 and the U.S. Copyright Law, amended December 2011, put copyright as a protection for original literary, dramatic, musical and artistic works. It allows an original work to be considered a property that is owned by somebody, whether published or unpublished.
Having no copyright can be a wrong copy. Importantly, even if you see your friends or other artistes using other people’s work without permission, it is illegal and you should not, according to the Bible, “follow a multitude to do wrong”. This is still true even though you may see some producers, loosely, putting the words “cover version” or “adapted” on their cover records to show a form of respect. The reality is that this is still an infringement as any form of unauthorized use of copyright material is a violation of the copyright owner’s exclusive rights.
Remember, as the CEO of WordFoodMusic puts it, “originals are the real deal, but nothing wrong in covering a song, if you know the game and play along”.
Maybe the most important benefit of copyright is the inner gratification or moral rights of saying “ my song that”. However, if the song become a hit, then we talking money.
Copyright is big business and the copyright acts of Jamaica and U.S. afford several important rights that can earn income for the writer, composer and producer of music. The main rights are Public Performing Right, Reproduction Right, Mechanical Right, and Synchronization Right.
Public Performing Rightis the exclusive right of the copyright owner to authorize the performance or transmission of the work in public: the right to decide how and when it should be played. When you buy any Aneil’s debut single, “Let Me Be” or download the MP3, Aneil, the copyright owner, through her agency WordFoodMusic, gives you permission to ONLY play the song for yourself, close friends and family. You do not own the song.
So, if you wish to play Aneil – “Let Me Be” to a wider group of people, for example at a Fish Fry on the beach, it is classed as a public performance and you must first seek permission (licence) from Aneil or her agent, before you do so. JACAP and JAMMS are responsible for this in Jamaica while ASCAP, BMI, and SESAC are responsible for the USA.
Reproduction Right is the exclusive right of the copyright owner, to authorize the reproduction of a musical work as in a record, cassette or CD.
Mechanical Rightis the right to authorize the reproduction and distribution of a specific composition at an agreed upon fee per unit manufactured and sold. In Jamaica this is done by JACAP and JAMMS while Harry Fox Agency is the most popular in the U.S.
Synchronization Right is the exclusive right to synchronize the musical composition in timed relation with audio-visual images on film or videotape.
Please note that even if you are covering a song to give away for free as promotional material, the copyright owner must grant you a licence before reproduction. In the U.S the going licensing rate is $0.091 (9.1 cents) per unit for songs that are five minutes and under in length or $0.0175 (1.75 cents) per minute or fraction thereof, per unit for songs that are over five minutes in length. Outside of the U.S., the royalty rate is typically 8%-10% of the list price.
An illustration, If Aneil covers Sam Smith’s song “I am not the only one” and wants to print and sell 2000 copies, Aneil must pay 2000 @ $.091) or $182 to Harry Fox or Sam Smith or his agent. Even if WordFoodMusic decide to give away the records of the cover song for free to promote Aneil, Sam Smith must be paid $182. Of course, if Sam Smith is contacted directly, he may allow free reproduction of that particular composition. Using, JACAP, JAMMS or Harry Fox where relevant allows the person wishing to cover a song to avoid hunting down the copyright owner to pay him/her.
Click any logo to get to that website
No copyright is wrong if you are covering a song. . WordFoodMusic quote: “Originals are the real deal, but nothing wrong in covering a song, if you know the game and play along”.
Now imagine the interesting scenario of Aneil, without permission, making a cover of Sam Smith’s song (MP3) and offer it for free online, and the song gets millions of free downloads. It simply means that this breach can result in Sam Smith and his publisher claiming stiff statutory damages, civil and criminal. As much as $30,000 or more per offense when it comes to people who knew or probably knew that they were infringing on the rights of others. Similar large sums are also applicable in Jamaica.
BENEFITS OF REGISTRATION
Click logo to get to that website.
Registration establishes a public record of the copyright claim. (The song’s birth certificate) and before an infringement suit may be filed in court, registration is necessary for works of U. S. origin.
Since registration of copyright is not compulsory, why should one register with the US Copyright Office and “waste” $35 on copyright registration? Basically, the most important reasons according to the U.S. Copyright Act include the fact that Registration establishes a public record of the copyright claim. (The song’s birth certificate) and before an infringement suit may be filed in court, registration is necessary for works of U. S. origin. Basically, if made before or within five years of publication, registration will establish prima facie evidence in court of the validity of the copyright and of the facts stated in the certificate.
A super incentive is that if registration is made within three months after publication of the work or prior to an infringement of the work, statutory damages and attorney’s fees will be available to the copyright owner in court actions, in the U.S.
As a result of the rights afforded by copyright, there are several ways the copyright owner can earn money:
Mechanical – Digital Downloads, Streaming Services and Physical Products (CD’s, Cassettes, Phonographs, 8 Tracks etc)
Public Performance – Interactive and Non Interactive Streaming Services, Radio, TV, Live Performance, Downloads
Synchronization – TV, Film, Commercials
Print – Songbooks, Sheet Music Physical and Online (digital) versions
Currently, in Jamaica, copyright generally lasts for a period of 50 years from the end of the calendar year in which the author dies. In the U.S. it is 70 years after the composer’s death.
HOW TO COPYRIGHT YOUR SONG
The Poor man’s copyright is a nice way to help show that you were in possession of the work at a particular date based on the postal stamp mark. However, although figures don’t lie, liars can figure and this is not a fool proof way. After all, how does one prove it is a genuine mail, not tampered with and a colleague at the post office did not stamp it (back dated).
(Poor man’s Copyright). Send a copy of the work to yourself by registered mail, via the post office, leaving the envelope unopened and stored in safe place together with receipt from the post office
Deposit a copy of the work(s) to the National Library of Jamaica. Also note that it is a requirement under the Legal Deposits Act, that a copy of all library matter published in Jamaica ,including books, CDs, DVDs, must be deposited with the National Library of Jamaica for archival and historical purposes. This also provides a public record supporting an author’s claim of copyright
Deposit a copy of the song(s) with an Attorney-at-law (you may be required to pay legal fees.
The U.S. Copyright Act allows for a formal registration and protection of creators’ rights (birth certificate). This is done by registering the work with the US Copyright Office. To do so simply visit copyright.gov and preferably, register online. Online registration is faster and cheaper. The online fee for a single song owned by the writer is $35 while all other online application fee is $55. To register using printed forms and offline is $85. The application process takes up to 8 months if done via e-Filing and up to 13 months if done via Paper Form offline. Similar to Jamaica, a copy of the registered work is to be deposited with the Library of Congress.
Please note: Jamaicans may register their songs with the US Copyright Office even though the song was produced and published in Jamaica.
If you are making music, whether your own composition or you plan to cover other artistes’ songs, copyright and its legal implications must be at the fore front of your project. Copyright is simple the ownership of the rights to ones creation of a song. There is no need to register one’s copyright in a song as it is automatically created the minute the song is fixed in a medium such as CD or online downloads or music sheet. The song doesn’t have to be published to gain copyright. “Once it is fix, you are in the mix”
It is not possible to register a song in Jamaica but the use of Poor man’s copyright and depositing the song at the National Library of Jamaica will help in providing proof of association with the song at a particular date. Jamaicans can, however, register their songs with relative ease at the U.S. Copyright Office for a modest sum of money. Copy rights ownership afford the creator several important rights such as Public Performing Right, Reproduction Right, Mechanical Rights, and Synchronization Rights. All these rights can earn the considerable amount of money if realized. Infringing on the right of a copyright owner can result in stiff statutory fines. As such, it is better to pay a modest fee (licence) to use other people’s music rather than be liable for thousands of dollars in statutory fines, lack of peace of mind and embarrassment. “if you have no copyright , you doing a wrong copy.”
Remember, Copyright Law provides the ability for anyone to record and sell a cover song, so long as he/she notifies the copyright holder properly and agree to pay the statutory royalty for each copy made and distributed.
There is much fun, in creating and developing music, but for many, the real gravy is in the returns made from the copyright and it is critical that we give credit where it is due.
Writer’s note: Clifton “NOTCLIF” Neil is an avid writer, marketer and university teacher, in Jamaica, who has taken up the challenge of providing simple “How to books” on topics such as copyright, publishing, and music marketing. You may have the full text of this publication, in e-book form, FOR FREE, by simply visiting our website, check it out and sign up for free newsletter and other upcoming publications.
Click on the e-book below to get your free copy of “How To Copyright Music in Jamaica”.
Charles Dickens visited Niagara Falls in 1841. On viewing the Canadian Falls from Table Rock he wrote, “Niagara was at once stamped upon my heart, an Image of Beauty; to remain there, changeless and indelible, until its pulses cease to beat, forever.”
I did my Christopher Columbus , late discovery but eye opening, of North America with my maiden trip to Florida, from Jamaica, In 1992. This was almost 500 years after Columbus’s discovery of the Americas. Yeah, Christopher Columbus discovered the Americas when he set his eyes on it while aboard his ships: the Nina, the Pinta and the Santa maria circa 1494. One of my favourite reggae singers, Burning Spear, did a song in which he called Christopher Columbus a “damn liar” for saying he discovered the Americas”. I am at pains to let them realize that, discover simply means to find out. Doesn’t mean he is the first one. Fact is, Chris discovered America in 1492, while the Indians did it a much earlier. For fun, see Burning Spear song, and his historical rebuttal of Columbus’ discovery claim. Simply click on the 500th Anniversary stamp to see video.
Anyway, back to Niagara, Oh Niagara, the main focus of this blog. For me, I can say, I discovered North America in 1992 but it took almost 20 years before I graced my eyes on Niagara Falls. I could easily see why Charles Dickens got mesmerized. i was too. The water seem to be having fun rushing, tumbling, roaring, cascading, inundating the rocks as it heads down from lake Erie into Lake Ontario. There was an eerie note to it though. So pronounced was it, that i penned, or was it penciled or type, it into a poem. hmm. Whatever. Well, here is the poem I wrote, titled “Oh Niagara: Niagara Falls”. I hope you like it and the attempted review of it.
Niagara, Oh Niagara Falls
Your waters on my cheeks continuously tumble down
Whether as dew on a smiling face or tears on a frown.
You are always rumbling, and frolicking with a thundering shout
Whether on show for many or even if no one is about.
Niagara, Oh Niagara Falls.
We, are a beautiful awesome sight to behold.
Whether morning or night, our passion for a wet noisy continuous flow never grows old
We are a thing of beauty, and a beautiful thing too with love as our tonic
Whether we agree or not, our passion is becoming chronic.
Niagara, Oh Niagara Falls
Your beauty and awe keep eating away at my soul
Whether it’s your strength or vigour or the stories untold.
Your passion has reached, has uncovered and gone beyond my deepest inner core
Whether sadly or gladly, if you continue loving me like this, I will be no more.
The poem, “Oh Nigara, Niagara Falls” was trying to capture the passionate yet eerie feeling and outcome of a love affair that results in the demise of one of the lovers. The water while creating an awesome effect for the millions of onlookers as it falls 170 feet (52 metres) into the Maid of the Mist pool from the Canadian Horseshoe Falls is eroding the land inch by inch. At the American Falls, the water plunges vertically ranging from 70 to 110 feet (21 to 34 metres) to the rock at the base of the Falls and is doing a similarly passionate job of eroding the land.
According to Getalltravelinfo. Niagara Falls is a product of erosion. The force of the water tumbling over the Horseshoe Falls continually causes large sections of rock to erode and fall away.
More than 6 million cubic feet (168,000 cubic metres) of water go over the crest line every minute during peak daytime tourist hours. It is difficult to determine the depth of the water at the crest line due to various flows and conditions of the river.
The erosion is estimated at 1 foot (32 cm) approximately every 10 years. The hard top layer of dolomite limestone is underlain by softer layers of sandstone and shale. The tumbling waters cut away the shale and sandstone layers until the undermined top layer collapses, thus maintaining the vertical face of the Falls.
About 12,000 years ago, Niagara Falls was 7 miles (11 kilometers) downstream from its present position. Until the early 1950’s, the Falls eroded at the average rate of 3 feet (approximately 1 metre) per year.
By the way, the word “Onguiaahra” appears on maps as early as 1641. Both it and the later version “Ongiara” are Indian words generally interpreted as meaning “The Straight”, although the more romantic “Thunder of Waters” is sometimes given. By the time the first white man arrived at the Falls, the name in general use was “Niagara”.
Notclif ponders: should we turn our backs on passion or embrace it with passion?
Interestingly, I was looking at the link and relationship between the Niagara River, the Niagara Falls and the bordering land between Canada and United States of America. One can sense the love, but the outcome while being awesome and scenic, over times leads to demise. The Niagara River seems to be the winner, followed by the land and the loser is the Fall. If the land continues eroding away, the Fall will be no more and the land would be flat. Niagara River and Land but no Falls. It definitely doesn’t seem like a symbiotic relationship. In a nutshell, the Niagara Falls, although the puissance and glory of the trio, will be a mist if not less.
Needless to say, if we are not careful, we will find our love affairs, jobs, social friendships, and even our lives being eroded by passions and addictions and cravings that we forged with glitter and glamour; yet as time goes on we realize that we are just being caressed and scraped by a friction that looks good in picture but inside it is life threatening. It seems the age old adage goes: not everything that glitters is gold. Have you ever wonder if your passion and love is making you feel “wasted away?”
You may get a free download of a collection of my 1983 poems ( I was 20 years old then).
Not many people have had great dreams of smallness. Yet smallness of dreams has had a great many people. In fact, great dreams, small dreams and even no dreams people have become great. Indeed, I am still not sure if heights of great musicians were reached by chance or by craft? I am here, rolling over these thoughts in my head as I watched my daughter recording her first international recording with the maestro, Grub Cooper of Jamaican Fame Fab Five Band in Kingston, Jamaica. The single “Let it be me”, is due for release in Mid 2015 and I was busily searching for answers: how can I help make her a great name in the music business.
Maybe, greatness happened because of luck or chance and not because of craft. No, don’t go yet, read on. Not saying Bob Marley and The Beatles and those greats didn’t have craft. On the contrary, they had lots of talent, industriousness, commitment and drive that pushed them against the odds even when, as Bob Marley said, in his hit song, I shot the sheriff, “Every time I plant a seed, he said kill it before it grows.”
Back to chance and success. What is chance? My Little Oxford Dictionary said Chance is “absence of design or discoverable cause.” So, it could be argued that if it was not for the chance (or was it by design) meeting up of The Beatles with Brian Epstein in 1961 and Bob Marley’s and the Wailers with Chris Blackwell in 1971, both could have remained as unknowns. Obscure. Do you know any talented musicians that are not great because of a lack of chance? Are there any popular musicians whose craft are terrible but they became great because of chance?
Goodness, my daughter has finished recording the song and I hope it becomes a hit. Five (5) hours run fast when your having fun or thinking hard. Nevertheless, the verdict is still out: greatness is a result of chance and or craft. Which is it really? Hung jury?
As we sat and listened the recording, everyone was happy with the production and was sure we have an international hit. However, there aren’t many guarantees, and as words to the wise: maybe we shouldn’t depend on our craft to get us a chance in life and similarly we shouldn’t depends on chance to get our craft in life. A good combination is a welcomed state. So while we are honing and developing our craft and music, we should also develop our social skills. After all, as can be seen, The Beatles and Bob Marley were good musicians but their success and greatness really got full bloomed when they met Brian and Chris respectively, who convinced them to change their images. So, do your craft and interact with people lots. Never can tell which will be your success ticket: craft or chance or both. Whatever you do, be happy.
On the note of happy, we would be happy if you checked out my daughter’s music at http://www.facebook.com/aneilmusic as we still try to pinpoint if heights of great musicians were reached by craft or chance.